2000-2010 – The Decade That Music Died

2000-2010 – The Decade That Music Died

In the last ten years a bulk of the top five songs on the Billboard charts has been steady trendsetters. Songs that contain condensed radio airwaves by the masses are located in regular rotation to infatuate us. These songs charm to a certain audience that often allow those in the music industry to capitalize on the possibility to gain new supporters of the most popular genres of music today. But many of these genres of today music taking the luster for true music lovers, that they often times turn to the classic Compact discs off their youth just to hear music they consider as good music. free musically likes

Although you may be thinking what is considered “good music”? According to industry executives, “good music” is “any music that can capture the interest of an audience. ” On the other hand; for the demographic of listeners in their the middle of twenties to mid 30s, “good music” is music that’s worth listening to several years after, and whoever lyrics has meaning and depth. 

So if the music industry has released nothing but “good music” over the past five years, then what makes it that the massive of listeners in their mid twenties, thirties and older doesn’t find it worth hearing?

After further discussion with Atlanta’s LS Muzik Group, a company representative says, “most of the music that is released today has a certain appeal that demonstrates the trend set during that time. If at that time, snap music or crunk music is the sound that’s in, then that’s what the trend will abide by. It is rare that you’d find “good music” [from the likes of] a Neyo, R. Kelly, Usher, Mary J Blige, Anthony Hamilton, or Musiq Soulchild to name a few. Not including good folk, rap, country, gospel, blues, jazz, or substitute rock music from some terrific artists who are well worth listening to also. Yet out from the few named, discover really not that many artists today that has potential for longevity. These types of artists are force provided to the consumer in order to make record sales. All of us truly doubt half of them will be around to play soldout circles in the next five years. inch

Hoping to bridge the gap between the two demographics of listeners in their the middle of twenties to mid 30s, the company looks to bring back good music that is worth hearing by adapting the Motown approach by signing good talent and releasing honest songs with meaning.

Possibly though the idea to bring back good music is what LS Muzik Group intends to do, there’s still that certain group of listeners the company may struggle to gain. Mainly because the music industry have captured the attention of this group over the history ten years with music that has an appear of its very own, an appear that has captivated them with what LS Muzik Group deems as over synthesized sounds. It is unclear however, as to how the company blueprints to win over that demographic, when all they know is what the music industry have force-fed them.

Also because of this, the dividing series between the two demographics leaves a void in the background music industry, simply because true music lovers aren’t as mesmerized by listening to over synthesized sounds that has little to no material. This has crippled record sales over the recent ten years.

In revenge of the clever marketing initiatives by the music industry to capture true music lovers, the efforts was not significant enough to impact their decisions to enjoy hearing the music released today thus triggering almost all of the music released today to hardly go gold or american platinum eagle. This is certainly all due in part not just in the Internet, but because true music lovers in their mid twenties, 30s, and older who enjoy good music, are not buying precisely what is most popular today. When what’s popular is Trey Songz or Chris Dark brown, then how is it that either of the two artists survives in such an industry where their level of failing or success is determined by their marketing, and not their music.

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